For a while now there have been press stories covering Gervais' first motion picture state-side, and how risky it was for the film makers to give a starring role to someone that is in the grand scheme of things, virtually unknown in America. My opinion therefore cannot be without bias as I do generally enjoy all of Ricky's work, whether it be his writing or his performance as David Brent in 'The Office', Andy Millman in 'Extras' or himself in the world record breaking 'Ricky Gervais Show' podcasts/audio books with Stephen Merchant and my favourite buffoon, Karl Pilkington.

With this in mind I genuinely knew very little about the film, other than who was in it and who wrote the screenplay. On a murky Sunday afternoon with my girlfriend, in a warming cinema I was witness to something I had never anticipated.

First and foremost, this role was clearly written for Ricky G, or Bertram Pincus - he plays a painfully bored and irritable middle aged socially repugnant dentist; bitter and rude, avoiding any form of social interaction in his quest for quiet in his mundane existence. During an unpleasant, but routine operation occurs a mishap, where he then develops an undesired side-effect, much like Haley Joel Osment did in 'The Sixth Sense'.

Greg Kinnear plays the recently deceased who, as most ghosts tend to have, unfinished business with his still living wife, played by Téa Leoni, who has fallen for a good-natured, successful but dull and conventional man in Richard, played by Billy Campbell. Here forms a bizarre love triangle, and a quest for the sore and miserable Bertram to better his ways and broaden his horizons with the army of pests he now finds he can interact with.

The screenplay is crackling with wit and charm, with some truly loveable characters that you laugh at, pity and sympathise with during the movies duration. This film left me feeling warmed and happy inside, like a great romantic comedy should do.

In the year of the writers strike, this gets full marks from me for the performances, the script and some interesting cinematography. This deserves award nominations for its stylish simplicity, and for its endearing approach in an arena of Ben Stiller and Jennifer Aniston laden rom-coms.

Quite simply, go see it!